Cinematography Works

These are selected projects where I served as Cinematographer.

  • In Between Words (2026) - Director of Photography

    - Psychological Domestic Drama

    - Achromatic Green / Melancholic Low-key

    - Subtractive Lighting

  • In Between Words (2026) - Director of Photography

    - Psychological Domestic Drama

    - Achromatic Green / Melancholic Low-key

    - Subtractive Lighting

  • In Between Words (2026) - Director of Photography

    - Psychological Domestic Drama

    - Achromatic Green / Melancholic Low-key

    - Subtractive Lighting

  • In Between Words (2026) - Director of Photography

    - Psychological Domestic Drama

    - Achromatic Green / Melancholic Low-key

    - Subtractive Lighting

  • In Between Words (2026) - Director of Photography

    - Psychological Domestic Drama

    - Achromatic Green / Melancholic Low-key

    - Subtractive Lighting

  • In Between Words (2026) - Director of Photography

    - Psychological Domestic Drama

    - Achromatic Green / Melancholic Low-key

    - Subtractive Lighting

  • In Between Words (2026) - Director of Photography

    - Psychological Domestic Drama

    - Achromatic Green / Melancholic Low-key

    - Subtractive Lighting

  • In Between Words (2026) - Director of Photography

    - Psychological Domestic Drama

    - Achromatic Green / Melancholic Low-key

    - Subtractive Lighting

  • In Between Words (2026) - Director of Photography

    - Psychological Domestic Drama

    - Achromatic Green / Melancholic Low-key

    - Subtractive Lighting

  • Killer (2025) - Director of Photography

    - Crime Thriller

    - Psychological Pressure / Underlying Fear

    - Expressionistic Yellow-Green Contrast

  • Killer (2025) - Director of Photography

    - Crime Thriller

    - Psychological Pressure / Underlying Fear

    - Expressionistic Yellow-Green Contrast

  • Killer (2025) - Director of Photography

    - Crime Thriller

    - Psychological Pressure / Underlying Fear

    - Expressionistic Yellow-Green Contrast

  • Killer (2025) - Director of Photography

    - Crime Thriller

    - Psychological Pressure / Underlying Fear

    - Expressionistic Yellow-Green Contrast

  • Killer (2025) - Director of Photography

    - Crime Thriller

    - Psychological Pressure / Underlying Fear

    - Expressionistic Yellow-Green Contrast

  • Killer (2025) - Director of Photography

    - Crime Thriller

    - Psychological Pressure / Underlying Fear

    - Expressionistic Yellow-Green Contrast

  • Sunday of Pingsha Island (2025) - Director of Photography

    - Narrative Character Study

    - Anxiety vs. Solace

    - Natural High-Key Diffusion

  • Sunday of Pingsha Island (2025) - Director of Photography

    - Narrative Character Study

    - Anxiety vs. Solace

    - Natural High-Key Diffusion

  • Sunday of Pingsha Island (2025) - Director of Photography

    - Narrative Character Study

    - Anxiety vs. Solace

    - Natural High-Key Diffusion

  • Sunday of Pingsha Island (2025) - Director of Photography

    - Narrative Character Study

    - Anxiety vs. Solace

    - Natural High-Key Diffusion

  • Sunday of Pingsha Island (2025) - Director of Photography

    - Narrative Character Study

    - Anxiety vs. Solace

    - Natural High-Key Diffusion

  • Fading Light (2024) - Director of Photography

    - Psychological Social Realism

    - Visualizing Photophobia / Alienation

    - Low-Density Exposure Control

    - Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative

  • Fading Light (2024) - Director of Photography

    - Psychological Social Realism

    - Visualizing Photophobia / Alienation

    - Low-Density Exposure Control

    - Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative

  • Fading Light (2024) - Director of Photography

    - Psychological Social Realism

    - Visualizing Photophobia / Alienation

    - Low-Density Exposure Control

    - Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative

  • Fading Light (2024) - Director of Photography

    - Psychological Social Realism

    - Visualizing Photophobia / Alienation

    - Low-Density Exposure Control

    - Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative

  • Fading Light (2024) - Director of Photography

    - Psychological Social Realism

    - Visualizing Photophobia / Alienation

    - Low-Density Exposure Control

    - Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative

  • Fading Light (2024) - Director of Photography

    - Psychological Social Realism

    - Visualizing Photophobia / Alienation

    - Low-Density Exposure Control

    - Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative

  • Fading Light (2024) - Director of Photography

    - Psychological Social Realism

    - Visualizing Photophobia / Alienation

    - Low-Density Exposure Control

    - Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative

  • Fading Light (2024) - Director of Photography

    - Psychological Social Realism

    - Visualizing Photophobia / Alienation

    - Low-Density Exposure Control

    - Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative

  • Fading Light (2024) - Director of Photography

    - Psychological Social Realism

    - Visualizing Photophobia / Alienation

    - Low-Density Exposure Control

    - Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative

  • Everlasting Red (2024) - Director of Photography / Art Director

    - Symbolic Drama

    - Memory, Identity / Visual Cohesion

    - Red-Green-Blue Character Palette

  • Everlasting Red (2024) - Director of Photography / Art Director

    - Symbolic Drama

    - Memory, Identity / Visual Cohesion

    - Red-Green-Blue Character Palette

  • Everlasting Red (2024) - Director of Photography / Art Director

    - Symbolic Drama

    - Memory, Identity / Visual Cohesion

    - Red-Green-Blue Character Palette

  • Everlasting Red (2024) - Director of Photography / Art Director

    - Symbolic Drama

    - Memory, Identity / Visual Cohesion

    - Red-Green-Blue Character Palette

  • Everlasting Red (2024) - Director of Photography / Art Director

    - Symbolic Drama

    - Memory, Identity / Visual Cohesion

    - Red-Green-Blue Character Palette

  • Everlasting Red (2024) - Director of Photography / Art Director

    - Symbolic Drama

    - Memory, Identity / Visual Cohesion

    - Red-Green-Blue Character Palette

  • IEverlasting Red (2024) - Director of Photography / Art Director

    - Symbolic Drama

    - Memory, Identity / Visual Cohesion

    - Red-Green-Blue Character Palette

  • Misty Fog (2023) - Director of Photography

    - Narrative PSA

    - Surreal Absurdity & Social Critique

    - Tonal Transition & Diffusion

  • Misty Fog (2023) - Director of Photography

    - Narrative PSA

    - Surreal Absurdity & Social Critique

    - Tonal Transition & Diffusion

  • Misty Fog (2023) - Director of Photography

    - Narrative PSA

    - Surreal Absurdity & Social Critique

    - Tonal Transition & Diffusion

  • Misty Fog (2023) - Director of Photography

    - Narrative PSA

    - Surreal Absurdity & Social Critique

    - Tonal Transition & Diffusion

  • Misty Fog (2023) - Director of Photography

    - Narrative PSA

    - Surreal Absurdity & Social Critique

    - Tonal Transition & Diffusion

  • Toy Box (2023) - Director of Photography

    - Surreal Psychological Drama

    - War Trauma / Childlike Symbolism

    - Integrated Light Control

    - Ink-Green Palette / Unstable Hand-held

  • Toy Box (2023) - Director of Photography

    - Surreal Psychological Drama

    - War Trauma / Childlike Symbolism

    - Integrated Light Control

    - Ink-Green Palette / Unstable Hand-held

  • Toy Box (2023) - Director of Photography

    - Surreal Psychological Drama

    - War Trauma / Childlike Symbolism

    - Integrated Light Control

    - Ink-Green Palette / Unstable Hand-held

  • Toy Box (2023) - Director of Photography

    - Surreal Psychological Drama

    - War Trauma / Childlike Symbolism

    - Integrated Light Control

    - Ink-Green Palette / Unstable Hand-held

  • Toy Box (2023) - Director of Photography

    - Surreal Psychological Drama

    - War Trauma / Childlike Symbolism

    - Integrated Light Control

    - Ink-Green Palette / Unstable Hand-held

  • Toy Box (2023) - Director of Photography

    - Surreal Psychological Drama

    - War Trauma / Childlike Symbolism

    - Integrated Light Control

    - Ink-Green Palette / Unstable Hand-held

  • Toy Box (2023) - Director of Photography

    - Surreal Psychological Drama

    - War Trauma / Childlike Symbolism

    - Integrated Light Control

    - Ink-Green Palette / Unstable Hand-held

  • Toy Box (2023) - Director of Photography

    - Surreal Psychological Drama

    - War Trauma / Childlike Symbolism

    - Integrated Light Control

    - Ink-Green Palette / Unstable Hand-held

  • Toy Box (2023) - Director of Photography

    - Surreal Psychological Drama

    - War Trauma / Childlike Symbolism

    - Integrated Light Control

    - Ink-Green Palette / Unstable Hand-held

  • The Girl With the Flaxen Hair (2022) - Director of Photography

    - Deceptive Crime Drama

    - Desire vs. Professional Constraint

    - Low-Key Golden Hue vs. Desaturated Night Contrast

  • The Girl With the Flaxen Hair (2022) - Director of Photography

    - Deceptive Crime Drama

    - Desire vs. Professional Constraint

    - Low-Key Golden Hue vs. Desaturated Night Contrast

  • The Girl With the Flaxen Hair (2022) - Director of Photography

    - Deceptive Crime Drama

    - Desire vs. Professional Constraint

    - Low-Key Golden Hue vs. Desaturated Night Contrast

  • The Girl With the Flaxen Hair (2022) - Director of Photography

    - Deceptive Crime Drama

    - Desire vs. Professional Constraint

    - Low-Key Golden Hue vs. Desaturated Night Contrast

  • The Girl With the Flaxen Hair (2022) - Director of Photography

    - Deceptive Crime Drama

    - Desire vs. Professional Constraint

    - Low-Key Golden Hue vs. Desaturated Night Contrast

  • The Girl With the Flaxen Hair (2022) - Director of Photography

    - Deceptive Crime Drama

    - Desire vs. Professional Constraint

    - Low-Key Golden Hue vs. Desaturated Night Contrast

  • The Girl With the Flaxen Hair (2022) - Director of Photography

    - Deceptive Crime Drama

    - Desire vs. Professional Constraint

    - Low-Key Golden Hue vs. Desaturated Night Contrast

  • The Girl With the Flaxen Hair (2022) - Director of Photography

    - Deceptive Crime Drama

    - Desire vs. Professional Constraint

    - Low-Key Golden Hue vs. Desaturated Night Contrast

  • The Girl With the Flaxen Hair (2022) - Director of Photography

    - Deceptive Crime Drama

    - Desire vs. Professional Constraint

    - Low-Key Golden Hue vs. Desaturated Night Contrast

  • HANABI (2026) - Gaffer

    - Coming-of-Age Youth Drama

    - Unspoken Affection / Nostalgic Reminiscence

    - Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes

  • HANABI (2026) - Gaffer

    - Coming-of-Age Youth Drama

    - Unspoken Affection / Nostalgic Reminiscence

    - Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes

  • HANABI (2026) - Gaffer

    - Coming-of-Age Youth Drama

    - Unspoken Affection / Nostalgic Reminiscence

    - Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes

  • HANABI (2026) - Gaffer

    - Coming-of-Age Youth Drama

    - Unspoken Affection / Nostalgic Reminiscence

    - Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes

  • HANABI (2026) - Gaffer

    - Coming-of-Age Youth Drama

    - Unspoken Affection / Nostalgic Reminiscence

    - Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes

  • HANABI (2026) - Gaffer

    - Coming-of-Age Youth Drama

    - Unspoken Affection / Nostalgic Reminiscence

    - Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes

  • HANABI (2026) - Gaffer

    - Coming-of-Age Youth Drama

    - Unspoken Affection / Nostalgic Reminiscence

    - Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes

  • The Unobserved Future (2025) - Gaffer

    - CreateHK Grant Project

    - Experimental Cyber-Existentialism

    - Data "Rollback" / Systematic Alienation

    - High-Contrast Mixed-Light / Digital Glitch Texture

  • The Unobserved Future (2025) - Gaffer

    - CreateHK Grant Project

    - Experimental Cyber-Existentialism

    - Data "Rollback" / Systematic Alienation

    - High-Contrast Mixed-Light / Digital Glitch Texture

  • The Unobserved Future (2025) - Gaffer

    - CreateHK Grant Project

    - Experimental Cyber-Existentialism

    - Data "Rollback" / Systematic Alienation

    - High-Contrast Mixed-Light / Digital Glitch Texture

  • The Unobserved Future (2025) - Gaffer

    - CreateHK Grant Project

    - Experimental Cyber-Existentialism

    - Data "Rollback" / Systematic Alienation

    - High-Contrast Mixed-Light / Digital Glitch Texture

  • The Unobserved Future (2025) - Gaffer

    - CreateHK Grant Project

    - Experimental Cyber-Existentialism

    - Data "Rollback" / Systematic Alienation

    - High-Contrast Mixed-Light / Digital Glitch Texture

  • Frozen time (2025) - Gaffer

    - Coming-of-Age Drama

    - Idealism vs. Reality

    - Nostalgic Muted Tones

  • Frozen time (2025) - Gaffer

    - Coming-of-Age Drama

    - Idealism vs. Reality

    - Nostalgic Muted Tones

  • Frozen time (2025) - Gaffer

    - Coming-of-Age Drama

    - Idealism vs. Reality

    - Nostalgic Muted Tones

  • Frozen time (2025) - Gaffer

    - Coming-of-Age Drama

    - Idealism vs. Reality

    - Nostalgic Muted Tones

  • Frozen time (2025) - Gaffer

    - Coming-of-Age Drama

    - Idealism vs. Reality

    - Nostalgic Muted Tones

  • Frozen time (2025) - Gaffer

    - Coming-of-Age Drama

    - Idealism vs. Reality

    - Nostalgic Muted Tones

  • Frozen time (2025) - Gaffer

    - Coming-of-Age Drama

    - Idealism vs. Reality

    - Nostalgic Muted Tones

  • Frozen time (2025) - Gaffer

    - Coming-of-Age Drama

    - Idealism vs. Reality

    - Nostalgic Muted Tones

  • Frozen time (2025) - Gaffer

    - Coming-of-Age Drama

    - Idealism vs. Reality

    - Nostalgic Muted Tones

  • Drowing Fish (2024) - Gaffer

    - Female-Centric Drama

    - Identity Erosion

    - Visualizing Constraint / Isolation

  • Drowing Fish (2024) - Gaffer

    - Female-Centric Drama

    - Identity Erosion

    - Visualizing Constraint / Isolation

  • Drowing Fish (2024) - Gaffer

    - Female-Centric Drama

    - Identity Erosion

    - Visualizing Constraint / Isolation

  • Drowing Fish (2024) - Gaffer

    - Female-Centric Drama

    - Identity Erosion

    - Visualizing Constraint / Isolation

  • Drowing Fish (2024) - Gaffer

    - Female-Centric Drama

    - Identity Erosion

    - Visualizing Constraint / Isolation

  • Drowing Fish (2024) - Gaffer

    - Female-Centric Drama

    - Identity Erosion

    - Visualizing Constraint / Isolation