Cinematography Works
These are selected projects where I served as Cinematographer.
-
In Between Words (2026) - Director of Photography
- Psychological Domestic Drama
- Achromatic Green / Melancholic Low-key
- Subtractive Lighting
-
In Between Words (2026) - Director of Photography
- Psychological Domestic Drama
- Achromatic Green / Melancholic Low-key
- Subtractive Lighting
-
In Between Words (2026) - Director of Photography
- Psychological Domestic Drama
- Achromatic Green / Melancholic Low-key
- Subtractive Lighting
-
In Between Words (2026) - Director of Photography
- Psychological Domestic Drama
- Achromatic Green / Melancholic Low-key
- Subtractive Lighting
-
In Between Words (2026) - Director of Photography
- Psychological Domestic Drama
- Achromatic Green / Melancholic Low-key
- Subtractive Lighting
-
In Between Words (2026) - Director of Photography
- Psychological Domestic Drama
- Achromatic Green / Melancholic Low-key
- Subtractive Lighting
-
In Between Words (2026) - Director of Photography
- Psychological Domestic Drama
- Achromatic Green / Melancholic Low-key
- Subtractive Lighting
-
In Between Words (2026) - Director of Photography
- Psychological Domestic Drama
- Achromatic Green / Melancholic Low-key
- Subtractive Lighting
-
In Between Words (2026) - Director of Photography
- Psychological Domestic Drama
- Achromatic Green / Melancholic Low-key
- Subtractive Lighting
-
Killer (2025) - Director of Photography
- Crime Thriller
- Psychological Pressure / Underlying Fear
- Expressionistic Yellow-Green Contrast
-
Killer (2025) - Director of Photography
- Crime Thriller
- Psychological Pressure / Underlying Fear
- Expressionistic Yellow-Green Contrast
-
Killer (2025) - Director of Photography
- Crime Thriller
- Psychological Pressure / Underlying Fear
- Expressionistic Yellow-Green Contrast
-
Killer (2025) - Director of Photography
- Crime Thriller
- Psychological Pressure / Underlying Fear
- Expressionistic Yellow-Green Contrast
-
Killer (2025) - Director of Photography
- Crime Thriller
- Psychological Pressure / Underlying Fear
- Expressionistic Yellow-Green Contrast
-
Killer (2025) - Director of Photography
- Crime Thriller
- Psychological Pressure / Underlying Fear
- Expressionistic Yellow-Green Contrast
-
Sunday of Pingsha Island (2025) - Director of Photography
- Narrative Character Study
- Anxiety vs. Solace
- Natural High-Key Diffusion
-
Sunday of Pingsha Island (2025) - Director of Photography
- Narrative Character Study
- Anxiety vs. Solace
- Natural High-Key Diffusion
-
Sunday of Pingsha Island (2025) - Director of Photography
- Narrative Character Study
- Anxiety vs. Solace
- Natural High-Key Diffusion
-
Sunday of Pingsha Island (2025) - Director of Photography
- Narrative Character Study
- Anxiety vs. Solace
- Natural High-Key Diffusion
-
Sunday of Pingsha Island (2025) - Director of Photography
- Narrative Character Study
- Anxiety vs. Solace
- Natural High-Key Diffusion
-
Fading Light (2024) - Director of Photography
- Psychological Social Realism
- Visualizing Photophobia / Alienation
- Low-Density Exposure Control
- Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative
-
Fading Light (2024) - Director of Photography
- Psychological Social Realism
- Visualizing Photophobia / Alienation
- Low-Density Exposure Control
- Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative
-
Fading Light (2024) - Director of Photography
- Psychological Social Realism
- Visualizing Photophobia / Alienation
- Low-Density Exposure Control
- Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative
-
Fading Light (2024) - Director of Photography
- Psychological Social Realism
- Visualizing Photophobia / Alienation
- Low-Density Exposure Control
- Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative
-
Fading Light (2024) - Director of Photography
- Psychological Social Realism
- Visualizing Photophobia / Alienation
- Low-Density Exposure Control
- Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative
-
Fading Light (2024) - Director of Photography
- Psychological Social Realism
- Visualizing Photophobia / Alienation
- Low-Density Exposure Control
- Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative
-
Fading Light (2024) - Director of Photography
- Psychological Social Realism
- Visualizing Photophobia / Alienation
- Low-Density Exposure Control
- Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative
-
Fading Light (2024) - Director of Photography
- Psychological Social Realism
- Visualizing Photophobia / Alienation
- Low-Density Exposure Control
- Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative
-
Fading Light (2024) - Director of Photography
- Psychological Social Realism
- Visualizing Photophobia / Alienation
- Low-Density Exposure Control
- Dominant Nightscapes / Yellow-Green Tone / Selective Focus Narrative
-
Everlasting Red (2024) - Director of Photography / Art Director
- Symbolic Drama
- Memory, Identity / Visual Cohesion
- Red-Green-Blue Character Palette
-
Everlasting Red (2024) - Director of Photography / Art Director
- Symbolic Drama
- Memory, Identity / Visual Cohesion
- Red-Green-Blue Character Palette
-
Everlasting Red (2024) - Director of Photography / Art Director
- Symbolic Drama
- Memory, Identity / Visual Cohesion
- Red-Green-Blue Character Palette
-
Everlasting Red (2024) - Director of Photography / Art Director
- Symbolic Drama
- Memory, Identity / Visual Cohesion
- Red-Green-Blue Character Palette
-
Everlasting Red (2024) - Director of Photography / Art Director
- Symbolic Drama
- Memory, Identity / Visual Cohesion
- Red-Green-Blue Character Palette
-
Everlasting Red (2024) - Director of Photography / Art Director
- Symbolic Drama
- Memory, Identity / Visual Cohesion
- Red-Green-Blue Character Palette
-
IEverlasting Red (2024) - Director of Photography / Art Director
- Symbolic Drama
- Memory, Identity / Visual Cohesion
- Red-Green-Blue Character Palette
-
Misty Fog (2023) - Director of Photography
- Narrative PSA
- Surreal Absurdity & Social Critique
- Tonal Transition & Diffusion
-
Misty Fog (2023) - Director of Photography
- Narrative PSA
- Surreal Absurdity & Social Critique
- Tonal Transition & Diffusion
-
Misty Fog (2023) - Director of Photography
- Narrative PSA
- Surreal Absurdity & Social Critique
- Tonal Transition & Diffusion
-
Misty Fog (2023) - Director of Photography
- Narrative PSA
- Surreal Absurdity & Social Critique
- Tonal Transition & Diffusion
-
Misty Fog (2023) - Director of Photography
- Narrative PSA
- Surreal Absurdity & Social Critique
- Tonal Transition & Diffusion
-
Toy Box (2023) - Director of Photography
- Surreal Psychological Drama
- War Trauma / Childlike Symbolism
- Integrated Light Control
- Ink-Green Palette / Unstable Hand-held
-
Toy Box (2023) - Director of Photography
- Surreal Psychological Drama
- War Trauma / Childlike Symbolism
- Integrated Light Control
- Ink-Green Palette / Unstable Hand-held
-
Toy Box (2023) - Director of Photography
- Surreal Psychological Drama
- War Trauma / Childlike Symbolism
- Integrated Light Control
- Ink-Green Palette / Unstable Hand-held
-
Toy Box (2023) - Director of Photography
- Surreal Psychological Drama
- War Trauma / Childlike Symbolism
- Integrated Light Control
- Ink-Green Palette / Unstable Hand-held
-
Toy Box (2023) - Director of Photography
- Surreal Psychological Drama
- War Trauma / Childlike Symbolism
- Integrated Light Control
- Ink-Green Palette / Unstable Hand-held
-
Toy Box (2023) - Director of Photography
- Surreal Psychological Drama
- War Trauma / Childlike Symbolism
- Integrated Light Control
- Ink-Green Palette / Unstable Hand-held
-
Toy Box (2023) - Director of Photography
- Surreal Psychological Drama
- War Trauma / Childlike Symbolism
- Integrated Light Control
- Ink-Green Palette / Unstable Hand-held
-
Toy Box (2023) - Director of Photography
- Surreal Psychological Drama
- War Trauma / Childlike Symbolism
- Integrated Light Control
- Ink-Green Palette / Unstable Hand-held
-
Toy Box (2023) - Director of Photography
- Surreal Psychological Drama
- War Trauma / Childlike Symbolism
- Integrated Light Control
- Ink-Green Palette / Unstable Hand-held
-
The Girl With the Flaxen Hair (2022) - Director of Photography
- Deceptive Crime Drama
- Desire vs. Professional Constraint
- Low-Key Golden Hue vs. Desaturated Night Contrast
-
The Girl With the Flaxen Hair (2022) - Director of Photography
- Deceptive Crime Drama
- Desire vs. Professional Constraint
- Low-Key Golden Hue vs. Desaturated Night Contrast
-
The Girl With the Flaxen Hair (2022) - Director of Photography
- Deceptive Crime Drama
- Desire vs. Professional Constraint
- Low-Key Golden Hue vs. Desaturated Night Contrast
-
The Girl With the Flaxen Hair (2022) - Director of Photography
- Deceptive Crime Drama
- Desire vs. Professional Constraint
- Low-Key Golden Hue vs. Desaturated Night Contrast
-
The Girl With the Flaxen Hair (2022) - Director of Photography
- Deceptive Crime Drama
- Desire vs. Professional Constraint
- Low-Key Golden Hue vs. Desaturated Night Contrast
-
The Girl With the Flaxen Hair (2022) - Director of Photography
- Deceptive Crime Drama
- Desire vs. Professional Constraint
- Low-Key Golden Hue vs. Desaturated Night Contrast
-
The Girl With the Flaxen Hair (2022) - Director of Photography
- Deceptive Crime Drama
- Desire vs. Professional Constraint
- Low-Key Golden Hue vs. Desaturated Night Contrast
-
The Girl With the Flaxen Hair (2022) - Director of Photography
- Deceptive Crime Drama
- Desire vs. Professional Constraint
- Low-Key Golden Hue vs. Desaturated Night Contrast
-
The Girl With the Flaxen Hair (2022) - Director of Photography
- Deceptive Crime Drama
- Desire vs. Professional Constraint
- Low-Key Golden Hue vs. Desaturated Night Contrast
-
HANABI (2026) - Gaffer
- Coming-of-Age Youth Drama
- Unspoken Affection / Nostalgic Reminiscence
- Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes
-
HANABI (2026) - Gaffer
- Coming-of-Age Youth Drama
- Unspoken Affection / Nostalgic Reminiscence
- Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes
-
HANABI (2026) - Gaffer
- Coming-of-Age Youth Drama
- Unspoken Affection / Nostalgic Reminiscence
- Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes
-
HANABI (2026) - Gaffer
- Coming-of-Age Youth Drama
- Unspoken Affection / Nostalgic Reminiscence
- Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes
-
HANABI (2026) - Gaffer
- Coming-of-Age Youth Drama
- Unspoken Affection / Nostalgic Reminiscence
- Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes
-
HANABI (2026) - Gaffer
- Coming-of-Age Youth Drama
- Unspoken Affection / Nostalgic Reminiscence
- Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes
-
HANABI (2026) - Gaffer
- Coming-of-Age Youth Drama
- Unspoken Affection / Nostalgic Reminiscence
- Japanese Soft-Focus Naturalism / Warm-Amber High-Contrast Nocturnes
-
The Unobserved Future (2025) - Gaffer
- CreateHK Grant Project
- Experimental Cyber-Existentialism
- Data "Rollback" / Systematic Alienation
- High-Contrast Mixed-Light / Digital Glitch Texture
-
The Unobserved Future (2025) - Gaffer
- CreateHK Grant Project
- Experimental Cyber-Existentialism
- Data "Rollback" / Systematic Alienation
- High-Contrast Mixed-Light / Digital Glitch Texture
-
The Unobserved Future (2025) - Gaffer
- CreateHK Grant Project
- Experimental Cyber-Existentialism
- Data "Rollback" / Systematic Alienation
- High-Contrast Mixed-Light / Digital Glitch Texture
-
The Unobserved Future (2025) - Gaffer
- CreateHK Grant Project
- Experimental Cyber-Existentialism
- Data "Rollback" / Systematic Alienation
- High-Contrast Mixed-Light / Digital Glitch Texture
-
The Unobserved Future (2025) - Gaffer
- CreateHK Grant Project
- Experimental Cyber-Existentialism
- Data "Rollback" / Systematic Alienation
- High-Contrast Mixed-Light / Digital Glitch Texture
-
Frozen time (2025) - Gaffer
- Coming-of-Age Drama
- Idealism vs. Reality
- Nostalgic Muted Tones
-
Frozen time (2025) - Gaffer
- Coming-of-Age Drama
- Idealism vs. Reality
- Nostalgic Muted Tones
-
Frozen time (2025) - Gaffer
- Coming-of-Age Drama
- Idealism vs. Reality
- Nostalgic Muted Tones
-
Frozen time (2025) - Gaffer
- Coming-of-Age Drama
- Idealism vs. Reality
- Nostalgic Muted Tones
-
Frozen time (2025) - Gaffer
- Coming-of-Age Drama
- Idealism vs. Reality
- Nostalgic Muted Tones
-
Frozen time (2025) - Gaffer
- Coming-of-Age Drama
- Idealism vs. Reality
- Nostalgic Muted Tones
-
Frozen time (2025) - Gaffer
- Coming-of-Age Drama
- Idealism vs. Reality
- Nostalgic Muted Tones
-
Frozen time (2025) - Gaffer
- Coming-of-Age Drama
- Idealism vs. Reality
- Nostalgic Muted Tones
-
Frozen time (2025) - Gaffer
- Coming-of-Age Drama
- Idealism vs. Reality
- Nostalgic Muted Tones
-
Drowing Fish (2024) - Gaffer
- Female-Centric Drama
- Identity Erosion
- Visualizing Constraint / Isolation
-
Drowing Fish (2024) - Gaffer
- Female-Centric Drama
- Identity Erosion
- Visualizing Constraint / Isolation
-
Drowing Fish (2024) - Gaffer
- Female-Centric Drama
- Identity Erosion
- Visualizing Constraint / Isolation
-
Drowing Fish (2024) - Gaffer
- Female-Centric Drama
- Identity Erosion
- Visualizing Constraint / Isolation
-
Drowing Fish (2024) - Gaffer
- Female-Centric Drama
- Identity Erosion
- Visualizing Constraint / Isolation
-
Drowing Fish (2024) - Gaffer
- Female-Centric Drama
- Identity Erosion
- Visualizing Constraint / Isolation